Meanwhile, the world was catching up to his genius.
In 1992, Nirvana frontman Kurt Cobain appeared at the MTV Video Music Awards wearing a T-shirt with Daniel’s Jeremiah the Innocent illustration. Cobain called him one of the greatest songwriters alive.
Suddenly, millions of people wanted to know who this mysterious artist was.
A tribute album followed, featuring covers by Tom Waits, Beck, R.E.M., and the Flaming Lips. More than 150 artists would eventually record versions of Daniel’s songs. His artwork was displayed at the Whitney Museum. His story became an acclaimed documentary that premiered at Sundance.
Daniel never quite understood his fame. He lived simply, drawing his comic book characters assembly-line style, selling each one for cigarette and soda money. He performed when his health allowed, backed by musicians who considered it an honor to share his stage.
Austin declared his birthday “Hi, How Are You Day,” an annual celebration of mental health awareness. The mural he painted on Guadalupe Street became a permanent landmark, preserved even as everything around it changed.
On September 10, 2019, Daniel was released from the hospital after treatment for kidney problems. His brother said he seemed happy that evening, maybe even peaceful.
The next morning, he was found dead at his home. He was 58 years old.
The tributes poured in from around the world. Musicians wrote about how his unfiltered honesty had given them permission to be vulnerable. Fans shared stories of meeting the gentle, awkward man who’d handed them cassettes and asked only that they listen.
His family said something that captures what made Daniel special: “Daniel triumphed over his illness through his prolific output of art and songs.”
